Macbeth makes a cameo in a luxury escape pod when Henry and Charles Calvin try and enter it to escape the Toppat Orbital Station explosion, however Mr. He was killed in the resulting trainwreck alongside many other Toppats. Macbeth reports to the Right Hand Man that the train is in danger and that he is unable to stop it. When Henry and Ellie Rose block the tunnel railway, one of the crew members informs Mr. Macbeth makes a brief appearance in his role as the train conductor like usual. Macbeth and disintegrates him into ashes. Macbeth shoots a large blast of energy in which the mirror reflects back to Mr. Item ( Mirror): As Henry equips a mirror, Mr.Macbeth shows further annoyance as he claims that Henry "isn't taking him seriously," then he finishes off Henry by unleashing a laser blast with his rifle. Macbeth takes a tracking precision aim right at Henry's soul and shoots him dead. Macbeth with a share of the Toppat's money, but the latter isn't pleased and points out the money does not belong to him. Act ( Bribe) (fail): Henry attempts to bribe Mr.Macbeth shoots a continuous volley of bullets at Henry, killing him. Macbeth) (fail): Henry Stickmin attacks Mr. Macbeth stops the train and confronts him at the money cart, armed with a custom-made rifle that can fire both bullets and laser/energy blasts. When one of the crew members informs him that Henry Stickmin has destroyed a passenger cart and has boarded the train, Mr. Macbeth is the primary antagonist to this pathway. He is a VIP due to the use of a luxury pod with 5 other clan mem bers and has been put in charge of transportation of the train and the stolen valuables.Īs mentioned in his bio, he gets agitated when he isn't taken seriously, which comes into play during his fight with Henry if the latter tries asking for mercy instead of fighting him. Macbeth appears to be a very serious member of the Toppat Clan, not shown joking around like the other clan members. He also speaks with a thick American-Southern accent. Macbeth is shown to be wearing a dark-green top hat with a crimson band, though also sewn with a Toppat insignia.Īside from that, he has a few wrinkles in his forehead. He also appears in Cleaned ' em Out as an unseen character.Īs a part of the Toppat Clan, Mr. He is the main antagonist of " Little Nest Egg" and the secondary antagonist of " Capital Gains", and makes a few cameo appearances in other endings as a minor character though he is a secondary character in " Toppat 4 Life" and " Toppat Recruits" which are paths where he is on good terms with Henry Stickmin. Macbeth plays a role as a supporting antagonist although optionally an ally.
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Welles slowed down as a director in the decade before his death in 1985, but had released major works in 1970s (the intricate meta-documentary F for Fake) and the 1960s (adaptations of Franz Kafka’s The Trial and Shakespeare’s Falstaff, released in America as Chimes at Midnight).Mr. Welles’ revolutionary methods and uncompromising perfectionism led to frequent wrestling with external forces and powers, with multiple films released posthumously, including 1993’s It’s All True (a documentary on his unfinished three-part South American epic), Hopper/Welles (a conversation with Dennis Hopper), and The Other Side of the Wind, completed and released in 2018.
He made the final great classic noir Touch of Evil, though he was also forced out of the edit room there by Universal. Welles closed out the ’40s with noir The Lady from Shanghai, which he co-starred in with Rita Hayworth.
Studio financer RKO destroyed roughly a third of the footage, yet the 88-minute final film is still a masterpiece. The film, which is celebrating its 80th anniversary, was taken away from Welles during editing. Welles, who rose to fame through radio and theater (his 1938 adaptation broadcast of The War of the Worlds is mythologized for creating an actual Martian invasion panic), followed up with 1942’s family drama The Magnificent Ambersons. It’s a drama epic in dramatic and temporal scope, awash in narrative and moral ambiguity, and groundbreaking camerawork that expanded the cinematic language. Orson Welles made the greatest directorial debut ever with 1941’s Citizen Kane, the story of the life and death of media magnate Charles Foster Kane.
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(Photo by Courtesy Everett Collection) Pedro Pascal Movies and Series Ranked by Tomatometer
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